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BOSE 901 SERIES IV..... LIVE AND LOUD !

On to the 901's and Live DVD Audio

I spent last weekend enjoying Live Concert DVD's playing through the Bose 901's.

Equipment Lineup:

  • Aikido Octal Preamp 6SN7 @ 300 VDC Regulated

  • Oppo DVD Player

  • Transcendent Balanced Power - for sources

  • Bose 901 Series IV w/PC6 Stands & equalizer

  • Monster Cable XP

  • Vampire and Nordost Spellbinder Interconnects

Fun performance within the context of Bose sound !

The 60 Watts of KT88 power per channel did more for Live DVD's than any other prior setup I had used.

Of course it's not Hi End sound, but how many Live Concert events are recorder and relevant in this context, not many.

The way that Bose 901 speakers deliver and convey Live Music is satisfying, with punch and energy.

In essence, judging the sound of Bose 901 or any Bose product from the Hi-End perspective is misleading.

I will state that Bose sound is Bose sound, like Klipsch or Maggies. The Bose Public Address roots, it's obvious from today's product lines for roving musicians, weatherproof speakers and commercial audio.

The Bose sound is based on a Direct/Reflected concept and as such, an iconoclast in the Hi-End speaker world.

But Bose has always managed to sell their products at a decent price point, despite the pressboard cabinets.

Be aware that Bose 901 speakers require active equalization and include a matched audio equalizer unit.

For many of the pure audio camp whose less is more mantra modulates their senses, this is viewed as another source of "distortion"

Bose 901's don't:

  • Image or recreate acoustic spaces

  • Have dept

  • Holography is absent

  • No pin-point soundstaging

  • No "you are in the studio" feeling

  • Reproduce spatial cues

  • Resolve micro dynamics

Bose 901's do:

  • Make nice Large Scale Pipe Organs sound real

  • Re-create the thrill of most Live recorded performances, especially loud one's

  • Make most poorly recorded material palatable

  • Eliminate 'sweet spot' listening

  • Solve speaker limitations with active equalization

Bose 901' s pass on the mish-mash of live stage music in a similar way as we hear it in the live environment as sonic mashed potatoes

Live music, unless it's a small quartet, trio, or intimate Jazz Club recorded with carefully placed microphones arrives to our ears pretty much mixed-up with a mix of delayed reflected sound and faster direct sound.

Maybe in a open air arena we can hear the Bass on the left and the Bongos on the right, maybe there's some spatial info.

Bose 901's don't do studio, vocal and instrumental recorded material well, but for most people this simply is not relevant.

Good LP's lose spatial definition and high quality recordings can sound a bit congested.

What the Bose 901's do well is to "to spray music" with plenty of low end punch.

They also have a lack of high end extension that is probably due to the lack of a true HF radiator.

But 90% of Music is not in the tweeter range so relevance to the total is not that big of a factor for the average person.

The 901's Bass has snap, is very fast and deep enough to enjoy Jurassic Park.

Amazing how the Bose 901's can rattle the windows while my Zu Druid speakers struggle to convey the same message.

Heck it may be distorted but it sure appeals to the normal person.

I have impressed very few laymen with my Hi-End sound. But put on the Bose and they smile.

The Bass performance from the 901's is fast and nimble, commanding and almost specializing in Live Musical Reproduction.

One listen to studio recordings and my ears tell me the Bose 901's are not delivering the information well.

In fact, recordings with ambient and spatial cues that require careful driver phasing, the 901's are lacking.

AC/DC Live at Donnington, Supertramp Live, RUSH Snakes and Arrows or even a large scale symphony/big band.

Bose 901's deliver that "On-Stage" message very well for a decent price point.

Bose 901's have most of the Bass I will need without the added expense of a dedicated Subwoofer.

My music room is 1456 cubic feet in volume and the 901's fill this space very nicely.

I actually removed the area rug to achieve a hotter presentation that went well with Live DVD's and CD's.

My back wall is covered with Sonex so this helps in the overall presentation.

So in a nutshell and without too many extra words, Bose speakers are the layman's home version of a PA system.

They deliver musical thrills like a small roller coaster ride but have nothing to do with the way Audioholics prefer music served.

In fact the 901's are an acquired beer budget taste, not a refined Cognac or Merlot.

So if you want to make loud music, have a 2 channel home theater and small speaker requirement

I would try out a pair of Bose 901's for sure, especially if you have a Solid State Receiver.

 You need at least 60 watts per channel, 100 watts ideal and 250 Watts the best.

The idea is not to melt the 901's, it's about headroom and transient performance.

I wonder how 901's would work with a NAD M2 or a Spectron Musician III, ummmmm.

In a nutshell:

  • Bose 901 speakers are idiosyncratic

  • Not hi-end in sound or performance

  • Are a classic design.

  • Have stood the test of time.

  • Still affordable in today's dollars

Use them safely with the obligatory PC-6 stands, or suspended from the ceiling.

I would classify Bose speakers as "Party Animals"....

but Stereophile doesn't have such a category.

Retro, rea$onable and powerful... Bose 901's Rock the house down.

 

The 70's

The 80's F.I.T. Melborne FL

SU7300 in the Digital Age

If you want a tour down memory lane, equipment from the 60's and 70's: http://www.gallagher.com/ebay.htm

Vega Baja - Playa Puerto Nuevo - Jam Central '78 to '99

MUSIC ROOM INFLUENTIAL LP'S

- Black Sabbath - Truly my 1st Hard Rock Album, (favorite tune -N.I.B) played through a mono Tube System (Dictograph) and then my grandfather's Emerson Hi-Fi Stereo to a pair of Sony DSR5 Headphones, mind blowing. I also used to lay down on my bed and place the speakers on either side of my head about 4ft apart, major stereo! Black Sabbath lyrics inspired me to question everything and always seek the truth. It also called on me to respect God and not take things for granted. How's that for the so called "Satanic" brain poison. Yes... Sabbath lyrics are foreboding, but never really Satanic as most people assume. It's a parody of the Devil and back then "Ozzy" and the guys were trying to make a few more "Pounds" by creating "Scary Music." I also have a number of Sabbath LP's I cherish and listen to when I need guidance in troubled times. One of my favorites is "Technical Ecstasy."

- Alice Cooper - "Killer" (favorite tune - Halo of Flies) & "Billion Dollar Babies" - I still have the original Killer LP sans the calendar poster which I put on my wall and lost over time. Killer was a good glimpse on the horrors of adult-child mistreatment as it was based around dark lyrics....., very deep Cooper. Also played a loaner Billion Dollar Babies LP as well. "Generation Landslide" was my favorite cut on that. "Please clean your plates now, the lord above can see ya, don't you know people are starving in Korea"

- Black Oak Arkansas - "High on the Hog" (favorite tune - Moonshine Sonata) - Original lent out and not yet returned to me :( This group offers excellent musically satisfying music. Rather interesting on stage, singer was a true performer on stage!

- Aerosmith - Rocks (all are my favorites!) - Lost the original, bought a replacement LP used. I remember when my sense of hearing was young, this album had a very rich and soupy high frequency content not obvious to me now with my adult male hearing loss. I did catch a glimpse of this sound recently when I heard an "Atmasphere MP-3" and a "Carver Sunfire" play this CD through my "Njoe Tjoeb." Maybe the Solid State equipment added the glare I was so used to hearing back then.

- Pink Floyd - Dark side of the Moon (100% favorite) - have Uruguayan ODEON Import Pressing , two US Release versions w/o posters and also a SACD that to me sounds like some of the original mix is missing. Don't ask about what went on to Dark Side of the Moon, .... you know.

- RUSH -  2112  - (favorite album - Farewell to Kings.) The masters of "Prog-Rock" at work, an early glimpse of these three Canadian virtuosos made me the #1 RUSH fan ever. My next LP after 2112 was Farewell to Kings, and I have purchased every RUSH LP ever since as soon as they were released. I still recall running over to my friends house with "Hemispheres." It kept getting better and better. Then came "Permanent Waves"... "Exit Stage Left"..... wow. I met Geddy and Alex last year in San Juan at the meet and greet, thanks to my friend Richard Arlook and Frenchie. These guys are true Canadian gentlemen and scholars. RUSH is definitely beyond any "Rock & Roll Hall of Fame", they are in a completely separate league. No wonder they have not been inducted, they have too much class and their music too complex for most limited human cerebral cortex processing.

- Neil Young -  Harvest - (favorite song - Needle and the Damage Done) The Canadian master of Folk rock, Neil has that raw quality about him. He once said, I am old, my guitars are old and my amps are old. An outspoken activist, Neil holds a special place in my heart. From his music comes an inspiration I have yet to find. His new release Living With War put's in to perspective the folly of not thinking things out carefully.

- Mahavishnu Orchestra -  Birds of Fire - (favorite song - One Word) John Mclaughlin and his team delve into some serious fusion. This was one LP that made me re-think about what was physically possible when developing music. Visions of the Emerald Beyond and other Mahavishnu LP's continue to remain as statements to electronic music taken to the outer limits. I actually met Billy Cobham in person in Panama City where he was born. I happened into a Jazz Club in the Casco Antiguo and there was Billy. I was honored to have my photo taken with him, even though it was a blurry and dark Cell Phone pic.

 

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